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Generally, the temple where a new monk lives is the temple of his own sect, but not absolutely, as a rule. After having a master, if an adherent meets a better Taoist priest, they can worship “teacher” again, and don't have to change their descent. The Yellow Emperor studied the Tao and had 72 “masters.”
Central Figure: Lord of the Southern Dipper. Homage to the Highest Power (朝元圖) is a prime example of Daoist paintings in the Royal Ontario Museum collection. The wall painting was created during the late Yuan Dynasty, c. 1271–1368.
Taoist, in Western sinology, is traditionally used to translate daoshi/taoshih (道士; 'master of the Tao'), thus strictly defining the priests of Taoism, ordained clergymen of a Taoist institution who "represent Taoist culture on a professional basis", are experts of Taoist liturgy, and therefore can employ this knowledge and ritual skill for ...
The Three Great Emperor-Officials (Chinese: 三官大帝; pinyin: sānguān dàdì), Sanguan, [1] or the Three Officials [1] are three of the highest shen in some branches of religious Taoism, and subordinate only to the Jade Emperor (玉帝 yùdì).
The Ten Precepts of Taoism were outlined in a short text that appears in Dunhuang manuscripts (DH31, 32), the Scripture of the Ten Precepts (Shíjiè jīng 十戒經). The precepts are the classical rules of medieval Taoism as applied to practitioners attaining the rank of Disciple of Pure Faith (qīngxīn dìzǐ 清心弟子).
The temple once contained more than 3000 steles in total of which about 1000 have been preserved. Surrounding the central courtyard is a succession of small rooms that open to the courtyard and each display an ensemble of plaster statues depicting one of the "seventy-six wings" of the Taoist pantheon.
Dajiao, (Chinese: 打醮) [1] called the Taiping Qingjiao or Taai ping ching jiu in Hong Kong, (太平清醮) is a Taoist ritual and festival which is performed every year. The ritual is to pray and request the Taoist Deities to bestow peace and harmony in the particular neighborhood or location.
Taoist landscape paintings often depict the virtues of the natural world as examples for man. In the Tao Te Ching (Daodejing), traditionally ascribed to Lao-Tzu, an older contemporary of Confucius , the author evokes the lessons that can be learned from trees in Book II, Chapter LXIV: [ 5 ]