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English progressive rock musician Steven Wilson recorded an arrangement of the song. It was the B-Side to "Cover version IV", one of a series of six singles, each consisting of a cover of a song written by another artist as the A-side, with the B-sides consisting of original songs (with the exception of "The Unquiet Grave").
All songs by Kate Rusby unless otherwise stated. "Playing of Ball" (Words trad., music Rusby) – 3:31 "I Courted a Sailor" – 3:58 "Withered and Died" (Richard Thompson) – 3:58 "Merry Green Broom" (Words trad./Rusby, music Rusby) – 3:22 "Let the Cold Wind Blow" – 5:18 "Canaan's Land" (Trad. arranged by Rusby/John McCusker) – 3:50
Kate Anna Rusby (born 4 December 1973) [1] is an English folk singer-songwriter from Penistone, West Riding of Yorkshire, England. Sometimes called the "Barnsley Nightingale", she has headlined various British folk festivals, and is one of the best known contemporary English folk singers.
Awkward Annie is the seventh studio album by English contemporary folk musician Kate Rusby, released on 3 September 2007 on Pure Records. The album is the first to be produced by Rusby herself, following her split with husband and producer John McCusker. [6] Regarding her role as producer Rusby states that:
The Girl Who Couldn't Fly is an album by British folk musician Kate Rusby, released in 2005. The title refers to Rusby's fear of flying. [2] The album cover features a painting by Blur guitarist Graham Coxon. [3]
Make the Light is the ninth studio album by folk musician Kate Rusby, released on 22 November 2010 on Pure Records.The album is the first to feature songs written solely by Rusby; this idea was suggested by actress Jennifer Saunders, with whom Rusby had previously worked on the show Jam & Jerusalem.
Canadian folk artist Loreena McKennitt recorded the carol, titled "In Praise of Christmas", for her Christmas album To Drive the Cold Winter Away (1987). [5] English folksinger Kate Rusby recorded the song under the title "Cold Winter" for her album The Frost Is All Over (2015). [6]
The album features arrangements of traditional songs, songs written by Rusby or co-written with her father, two cover songs and a remix. [2] [3] Colleen Taylor of The Irish Echo reviewed that the album saw Rusby return to acoustic folk after recent experimentation with electronic. It is centred around Rusby's family and home in Barnsley ...