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"The Dope Show" is a song by American rock band Marilyn Manson. It was released in September 1998 as the lead single from their third studio album Mechanical Animals . The lyrics were written by Marilyn Manson and the music composed by Twiggy Ramirez .
"Coma White" is a song by American rock band Marilyn Manson and the last track from the album Mechanical Animals. It is a hard rock ballad written by Manson, Twiggy Ramirez, Madonna Wayne Gacy, Zim Zum and produced by Manson and Michael Beinhorn.
Mechanical Animals is the third studio album by American rock band Marilyn Manson.It was released on September 15, 1998, by Interscope Records.The album marked a major shift from the industrial metal and alternative metal styles of the band's earlier efforts, into an experimentation with 1970s glam rock [1] [2] [3] with industrial rock [4] and electronic rock [5] styles.
"I Don't Like the Drugs (But the Drugs Like Me)" is a glam rock song [4] with a length of five minutes and three seconds. [5] The song was written by Manson with the band's bassist Twiggy Ramirez, and its then-guitarist Zim Zum, and produced by Manson with Michael Beinhorn; [6] it also features elements of electronic rock, [7] funk, [8] and soul music. [9]
Smells Like Children is the first EP by American rock band Marilyn Manson.It was released on October 24, 1995, by Nothing and Interscope Records.Produced by Trent Reznor of Nine Inch Nails, it represents an era of the band full of drugs, abuses, tours, sound experiments, and references to the Child Catcher, a villain from the 1968 musical film Chitty Chitty Bang Bang.
As ill-fated coffee shop burglar Pumpkin in Quentin Tarantino’s “Pulp Fiction,” Tim Roth knows the truth about a privileged piece of movie mythology. “We tend to know only as much as [our ...
It didn’t take long for Kayla Nicole and Brody Jenner to form a — ahem — special bond on the set of Special Forces: World’s Toughest Test season 3. “I think pooping next to each other in ...
Only six men have played the British superspy, and each brought their own unique interpretation to the role—often for good, occasionally for ill. This is how the canon stacks up.