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A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
The Wedge Is Struck, the Fog Remains (楔を打てど、霧は晴れず) for clarinet and piano (2006) Piano. Tokyo Concerto (東京コンチェルト) (1993) Forma (フォールマ) (1996); won the prize at the 13th contest of the Japanese Society for Contemporary Music (ISCM Japanese section) Pars lunae (月の役割) (1999)
Yamamoto saw continued commercial success throughout the 1980s and early 1990s, with his albums regularly appearing within the Top 20 of the Japanese Oricon Charts and being used in advertisements. Musically, those works are considered to be of the AOR and city-pop genres, a mix of various sounds incorporating disco, rhythm and blues, soft rock ...
Ginkai (銀界, Ginkai, means Silver World) is a 1970 album released by Hōzan Yamamoto, featuring Western jazz instrumentalists such as bassist Gary Peacock, pianist Masabumi Kikuchi and drummer Hiroshi Murakami. It is an early example of fusion experiments with jazz and Japanese classical music.
Minoru Yamamoto (山本 秀, Yamamoto Minoru, 1912 or 1913 to 5 October 1996) was a Japanese composer. He is known principally for writing the tune for the Hiroshima Peace Song. He is known principally for writing the tune for the Hiroshima Peace Song.
More recent theory [2] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose pitches are equivalent to the in scale: [3]
The Dodgers signed the 26-year-old Japanese star pitcher to help the team get back to the World Series. ... Yamamoto signed a 12-year deal worth $325 million in December 2023 as a free agent. When ...
Kohta Yamamoto (山本 康太, Yamamoto Kōta, born 1987) (stylized in all caps) is a Japanese composer, arranger, and lyricist who has worked on the soundtrack of many anime series. He is best known for composing the soundtrack for Attack on Titan: The Final Season , for which he won the Crunchyroll Anime Award for Best Soundtrack.