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A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
The Japanese mode is a pentatonic musical scale commonly used in traditional Japanese music.The intervals of the scale are major second, minor third, perfect fifth and minor sixth (such as the notes A, B, C, E, F and up to A ja:ヨナ抜き音階.), essentially a natural minor scale in Western music theory without the subdominant and subtonic, the same operation performed on the major scale to ...
More recent theory [2] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose pitches are equivalent to the in scale: [3]
The ritsu scales do not fit exactly into the equal temperament prominent in Western classical music but ritsu is transposable to E and B, Ryo is transposable to D and G, and Hanryo hanritsu to A. [7] The Ritsu scale is one of the six scales (along with the major and minor scales, the common pentatonic scale, and the common "blues" scale) that ...
Yamamoto saw continued commercial success throughout the 1980s and early 1990s, with his albums regularly appearing within the Top 20 of the Japanese Oricon Charts and being used in advertisements. Musically, those works are considered to be of the AOR and city-pop genres, a mix of various sounds incorporating disco, rhythm and blues, soft rock ...
The yo scale is a pentatonic scale used in much Japanese music including gagaku and shomyo. [1] It is similar to the Dorian, but does not contain minor notes. The yo scale is used specifically in folk songs and early popular songs and is contrasted with the in scale which does contain minor notes. [2]
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Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "The hirajoshi, kumoijoshi, and kokinjoshi 'scales' are Western derivations of the koto tunings of ...