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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
A Luckenbooth brooch is a Scottish heart-shaped brooch. These brooches often have a crown above one heart, or two intertwined hearts. They are typically made of silver and may be engraved or set with stones. The name comes from the Luckenbooths of Edinburgh, where jewellery and trinkets used to be sold, including this type of brooch. [1]
A later gift from Albert included a setting of a cairngorm he had picked up when walking in the Scottish Highlands, a more authentic type of gem than the brightly coloured foreign stones used in much Celtic Revival jewellery. [66] The discovery of the Tara Brooch in 1850 could therefore not have been better timed in terms of attracting public ...
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The couple eventually created the brand "Iona Celtic Art" and produced some of their designs in English factories. [3] The Ritchies were active during the Arts and Crafts movement, which was present in Scotland as well as internationally. [3] They took inspiration from Celtic culture and produced jewelry with Celtic designs. [4]
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