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During devotional services, the beads may be rubbed together with both hands to create a soft grinding noise, which is considered to have a purifying and reverential effect. A notable feature of Tendai school's prayer beads is the use of flat beads called "soroban beads" for the main beads (while most of the other sects use spherical beads). [2]
The Huichol have a long history of beading, making the beads from clay, shells, corals, seeds and more and using them to make jewelry and to decorate bowls and other items. The "modern" beadwork usually consists of masks and wood sculptures covered in small, brightly colored commercial beads fastened with wax and resin.
Huichol bead artist, photo by Mario Jareda Beivide. Huichol Indians of Jalisco and Nayarit, Mexico have a unique approach to beadwork. They adhere beads, one by one, to a surface, such as wood or a gourd, with a mixture of resin and beeswax. [71] Most Native beadwork is created for tribal use but beadworkers also create conceptual work for the ...
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At the beginning of the 20th century embroidery workshops were created on the territory of Galicia and Bukovyna, where, along with weaving and embroidery, jewelry from beads was made. Contemporary beadwork includes: beaded clothing, collars, bracelets, necklaces, clothing accessories like handbags and purses. [16] [17] [18] [19]
The beads, also described as "jewels", were made of primitive stone and earthen materials in the early period, but by the end of the Kofun period were made almost exclusively of jade. Magatama originally served as decorative jewelry, but by the end of the Kofun period functioned as ceremonial and religious objects.