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The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author Annemor Sundbø. The yarn factory Rauma Ullvarefabrikk has also released a substantial number of Norwegian knitting patterns translated into English.
Bunad is a Norwegian umbrella term encompassing a range of both traditional rural clothes mostly dating to the 19th and 18th centuries as well as 20th-century folk costumes. In its narrow sense, the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes.
The bunads for women have black skirt, and are found in party variants with red or green bodice and white apron, or black bodice and black apron. Over large parts of the bunad, including the belt and apron, there is embroidery in the local style. The embroidery technique is known in Norway as Hardangersøm. The bunads are made of different fabrics.
Bunad (Norwegian: [ˈbʉ̂ːnɑd], plural: bunader/bunadar) is a Norwegian umbrella term. In a broader sense, the term encompasses household , householding equipment, and livestock as well as both traditional rural clothes (mostly dating to the 18th and 19th centuries) and modern 20th-century folk costumes . [ 1 ]
Old woman in sunbonnet (c. 1930). Photograph by Doris Ulmann. Cabriolet; Capote – soft crown, rigid brim, nineteenth century; Chip bonnet; Gypsy bonnet – shallow to flat crown, saucer shaped, and worn by tying it on with either a scarf or sash, under the chin, or at the nape of the neck – nineteenth Century; Kiss-me-quick; Leghorn bonnet ...
Norwegian girls were taught to knit the pattern, as a pair of selbuvotter became the traditional gift of a girl to her fiancé and his friends. The home industry of Selbu mitten knitting helped make Norwegian farming life economically feasible and gave women a measure of economic independence. [ 1 ]