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The song was released on April 25, 2016, on iTunes. [1] The official audio was released on March 13, 2016, and its music video was released on April 24, 2016. Chart performance
Carnage collaborate with Australian DJ Timmy Trumpet and American DJ KSHMR in “Toca” as the first promotional single released on 10 July 2015. “November Skies” was released on 9 October 2015 as the second promotional single. This is a collaboration with Tomas Barford featuring vocals of Nina Kinert.
Between 2017 and 2018, Timmy Trumpet became a fixture at dance music festivals all over the world, playing main stage sets at Parookaville, Electric Love, Creamfields, Airbeat One, and many more. Timmy Trumpet collaborated with Hardwell on the track "The Underground" which was released on Revealed Recordings .
In 1963, trumpet player Al Hirt recorded the instrumental, and the track was the first single from his album Honey in the Horn. It was Hirt's first and biggest hit on the US pop charts, reaching #4 on the Billboard Hot 100 on February 29, 1964 [ 2 ] and spending four weeks at #1 on the easy listening chart in early 1964. [ 3 ]
Johnny Carroll (musician) is an Irish musician, known as a trumpet player active since the 1960s. Nicknamed Man with the Golden Trumpet , Carroll is a native of Castlerea , County Roscommon . Encouraged by his father, he joined the local brass band, aged 12.
"Suona la tromba" (The trumpet sounds) or Inno popolare (Hymn of the people) is a secular hymn composed by Giuseppe Verdi in 1848 to a text by the Italian poet and patriot Goffredo Mameli. The work's title comes from the opening line of Mameli's poem. It has sometimes been referred to as "Grido di guerra".
Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
[1] In Bob Crewe's version, a trumpet plays the whole verse, the first time around, sounding like Herb Alpert's Tijuana brass style. The second time the verse is played, a half step up in tone from G minor to A-flat minor, a tenor saxophone plays a jazzier version, accompanied by strings, surf-style guitar (reminiscent of 1960s spy films) and a ...