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  2. Texture (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Texture_(visual_arts)

    Paint texture on The Sower with Setting Sun by Vincent van Gogh. In the visual arts, texture refers to the perceived surface quality of a work of art.It is an element found in both two-dimensional and three-dimensional designs, and it is characterized by its visual and physical properties.

  3. Giclée - Wikipedia

    en.wikipedia.org/wiki/Giclée

    Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...

  4. List of art media - Wikipedia

    en.wikipedia.org/wiki/List_of_art_media

    Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.

  5. Wikipedia:Featured pictures/Artwork/Paintings - Wikipedia

    en.wikipedia.org/.../Artwork/Paintings

    Print/export Download as PDF; ... The Art of Painting, by Johannes Vermeer. ... Wheat Field with Cypresses at the Metropolitan Museum of Art, by Vincent van Gogh.

  6. Still life paintings by Vincent van Gogh (Paris) - Wikipedia

    en.wikipedia.org/wiki/Still_life_paintings_by...

    The painting, and even the frame, are in shades of yellow, ocher and brown. The painting also has highlights in pink, red, green and blue. A fine example of an Impressionist painting, Van Gogh dedicated the painting to his brother Theo for his guidance and introduction to modern art. [27]

  7. Impasto - Wikipedia

    en.wikipedia.org/wiki/Impasto

    Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.