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Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status. Common examples of items and objects decorated in the blackamoor style include sculpture, jewellery, and furniture.
Blackamoors may refer to: . Blackamoor (decorative arts), stylized depictions of black Africans in the decorative arts and jewelry Blackmoor (campaign setting), a fantasy roleplaying game campaign setting
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
Google Translate is a multilingual neural machine translation service developed by Google to translate text, documents and websites from one language into another. It offers a website interface , a mobile app for Android and iOS , as well as an API that helps developers build browser extensions and software applications . [ 3 ]
The Moor of Peter the Great (Russian: Арап Петра Великого, romanized: Arap Petra Velikogo, also translated as The Blackamoor of Peter the Great or The Negro of Peter the Great) is an unfinished historical novel by Alexander Pushkin. Written in 1827–1828 and first published in 1837, the novel is the first prose work of the ...
The precise origin of the Moor's head as a heraldic symbol is a subject of controversy. The most likely explanation is that it is derived from the heraldic war flag of the Reconquista depicting the Cross of Alcoraz, symbolizing Peter I of Aragon and Pamplona's victory over the "Moorish" kings of the Taifa of Zaragoza in the Battle of Alcoraz in 1096.
Sheila Fischman's translation of La Guerre, yes Sir! (published under that title in French and English and meaning roughly "War, you bet!"), by Roch Carrier, leaves many sacres in the original Quebec French, since they have no real equivalent in English. She gives a brief explanation and history of these terms in her introduction, including a ...
Here a despondent Ethiopian is pictured seated at a fountain where two Europeans are attempting to wash away his colour; the illustration is followed by a translation into Latin of Lucian's epigram. [9] From here the theme was taken up by Hieronymus Osius (1564) [10] and the English emblematist Geoffrey Whitney (1586). The long verse commentary ...