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Home Invasion is a 2016 American thriller film, directed by David Tennant. [1] It stars Jason Patric, Scott Adkins, Natasha Henstridge, William Dickinson, Kyra Zagorsky and Michael Rogers. [2] [3] [4]
The Lonely Villa (1909), a silent short film featuring a home invasion In Suddenly (1954), Frank Sinatra plays an assassin who takes over a family's home as a venue to target the President of the United States. There is a body of films that feature home invasions. Paula Marantz Cohen says, "Such films reflect an increased fear of the erosion of ...
The film co-stars John Gallagher Jr., Michael Trucco, Samantha Sloyan, and Emilia "Emma" Graves. It was jointly produced by Trevor Macy through Intrepid Pictures and Jason Blum through Blumhouse Productions. The film had its world premiere at South by Southwest on March 12, 2016, [4] and was released by Netflix on April 8, 2016. [5]
Don't Breathe is a 2016 American horror film [4] co-produced and directed by Fede Álvarez, who co-wrote it with Rodo Sayagues. It is the first installment in the Don't Breathe franchise . The film stars Jane Levy , Dylan Minnette , Daniel Zovatto , and Stephen Lang , and focuses on three home intruders who find themselves trapped and hunted in ...
In October 2015, Screen Gems acquired distribution rights to the film, changing the title from Home Invasion to Keep Watching. [11] [12] The film was originally scheduled to be released on December 2, 2016. [13] It was released for one night on October 31, 2017. [14]
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Jack Goes Home is a 2016 American independent horror film written and directed by Thomas Dekker and starring Rory Culkin, Daveigh Chase, Nikki Reed, Britt Robertson, Lin Shaye, Natasha Lyonne, Louis Hunter, and Serge Levin. The film premiered at the South by Southwest international film festival and was theatrically released on October 14, 2016.
The titular panic room, ostensibly a haven against the dangers of home invasion, instead becomes a site of vulnerability, reflecting misplaced faith in security technologies. This contradiction underscores the limitations of consumerist solutions to threats, even as the film ultimately relies on the intervention of institutional forces, such as ...