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The term "agnosia" refers to a loss of knowledge. Acquired music agnosia is the "inability to recognize music in the absence of sensory, intellectual, verbal, and mnesic impairments". [11] Music agnosia is most commonly acquired; in most cases it is a result of bilateral infarction of the right temporal lobes.
Amusia is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. [1] Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music-processing anomaly present since birth.
Spill occurs when sound is detected by a microphone not intended to pick it up (for example, the vocals being detected by the microphone for the guitar). [3] Spill is often undesirable in popular music recording, [4] as the combined signals during the mix process can cause phase cancellation and may cause difficulty in processing individual tracks. [2]
Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop.
A modified version of MUSIC, denoted as Time-Reversal MUSIC (TR-MUSIC) has been recently applied to computational time-reversal imaging. [11] [12] MUSIC algorithm has also been implemented for fast detection of the DTMF frequencies (Dual-tone multi-frequency signaling) in the form of C library - libmusic [13] (including for MATLAB ...
Key areas of the brain are used in both music processing and language processing, such as Brocas area that is devoted to language production and comprehension. Patients with lesions, or damage, in the Brocas area often exhibit poor grammar, slow speech production and poor sentence comprehension.
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An example is the phenomenon of tapping to the beat, where the listener anticipates the rhythmic accents in a piece of music. Another example is the effect of music on movement disorders: rhythmic auditory stimuli have been shown to improve walking ability in Parkinson's disease and stroke patients. [41] [42]