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  2. Fisheye lens - Wikipedia

    en.wikipedia.org/wiki/Fisheye_lens

    Canon 5.2 mm f/2.8 RF L [71] (a 190° stereographic fisheye with two fisheye lens systems: for 3D virtual reality shooting onto a single 35 mm full-frame image sensor, and less relevant for photography: fitting two image circles onto one frame of 36 mm width means that each can only be 18 mm in diameter, wasting quite a bit of resolution)

  3. Minolta Fish-Eye Rokkor 16mm f/2.8 - Wikipedia

    en.wikipedia.org/wiki/Minolta_Fish-Eye_Rokkor_16...

    The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.

  4. Hemispherical photography - Wikipedia

    en.wikipedia.org/wiki/Hemispherical_photography

    Hemispherical photograph used to study microclimate of winter roosting habitat at the Monarch Butterfly Biosphere Reserve, Mexico.. Hemispherical photography, also known as canopy photography, is a technique to estimate solar radiation and characterize plant canopy geometry using photographs taken looking upward through an extreme wide-angle lens or a fisheye lens (Rich 1990).

  5. Pentax F 17-28mm lens - Wikipedia

    en.wikipedia.org/wiki/Pentax_F_17-28mm_lens

    The smc Pentax-F 17–28mm Fish-eye f / 3.5–4.5 is the first fisheye zoom lens, manufactured by Pentax for single-lens reflex cameras (SLRs) with a K lens mount.At its widest setting of 17mm, it affords a 180° diagonal angle of view images for all K-mount full-frame SLR cameras; at 28mm, the diagonal angle of view is reduced to 90° on the diagonal.

  6. Rectilinear lens - Wikipedia

    en.wikipedia.org/wiki/Rectilinear_lens

    In photography, a rectilinear lens is a photographic lens that yields images where straight features, such as the edges of walls of buildings, appear with straight lines, as opposed to being curved. In other words, it is a lens with little or no barrel or pincushion distortion. At particularly wide angles, however, the rectilinear perspective ...

  7. Depth of field - Wikipedia

    en.wikipedia.org/wiki/Depth_of_field

    In general photography this is rarely an issue; because large f-numbers typically require long exposure times to acquire acceptable image brightness, motion blur may cause greater loss of sharpness than the loss from diffraction. However, diffraction is a greater issue in close-up photography, and the overall image sharpness can be degraded as ...