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In 1968, Gibson re-introduced the Les Paul Custom as a two-pickup model. The headstock angle was changed from 17 to 14 degrees, a wider headstock and a maple top (in lieu of the original 1953–1961 solid-mahogany construction). In 1969, Norlin acquired Gibson, and the Les Paul Custom saw many changes in the "Norlin Era".
In 2004, the Gibson Custom Shop introduced the Slash Signature Les Paul Standard, a guitar that Gibson has used ever since as the "standard" non-limited edition Slash Les Paul. [61] In 2008, Gibson USA released the Slash Signature Les Paul Standard Plus Top, an authentic replica of one of two Les Pauls Slash received from Gibson in 1988.
Santana has also used a sunburst 1968 Les Paul Custom. [152] Michael Schenker (Scorpions/UFO/Michael Schenker Group) used four different 1970s Flying V models. Number 1 was a modified 1975 model; Numbers 2 and 3 were 1979 block-inlay Flying Vs; and Number 4 was a mid-70s white Flying V. Numbers 1, 2 and 3 had Schenker's trademark "half black ...
Custom Shop Historic Collection 1968 Les Paul Custom Black Beauty #015328; Memphis Chris Cornell ES-335 Flat Black; Custom Shop CS-336 Plain Top; Les Paul Junior Limited Edition (until 2011, he donated to charity) 1996 Les Paul Standard; 1981 ES-335TD; ES-165; Flying V; Fender Musical Instruments Corporation. Custom Shop Master Built Series ...
In 2014, the Melody Maker name was reused for a new Les Paul variant. This single-cut variant uses the thinner body of the Les Paul Custom Lite, with a carved maple top, and a satin nitrocellulose finish. It also incorporates a maple neck with a 50's rounded profile, a full-size Les Paul headstock with a "Melody Maker" truss rod cover, and two ...
Gibson 1968 Les Paul Custom – Mostly on ballads such as "Fade to Black" and "Welcome Home (Sanitarium)". [64] Gibson Les Paul Standard – Used on songs from St. Anger. [65] Ibanez RG – Used during the Wherever We May Roam American and European tour. It was used as a stunt guitar and for Deep Purple covers.