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Chigiri-e (ちぎり絵) is a Japanese art form in which the primary technique uses coloured paper that is torn to create images, and may resemble a water colour painting. The technique dates from the Heian period of Japanese history when it was often used in conjunction with calligraphy. Handmade paper is essential for the creation of chigiri ...
They are housed in 14 Japanese cities in temples (35), museums (13), libraries or archives (6), shrines (4), universities (2) and in private collections (2). Most entries (28) in the list are located in Kyoto. The documents in this list were made predominantly with a writing brush on paper and, in many cases, present important examples of ...
Waka ("Japanese poem") or uta ("song") is an important genre of Japanese literature. The term originated in the Heian period to distinguish Japanese-language poetry from kanshi, poetry written in Chinese by Japanese authors. [35] [36] Waka began as an oral tradition, in tales, festivals and rituals, [nb 4] and began to be written in the 7th ...
Genkō yōshi (原稿用紙, "manuscript paper") is a type of Japanese paper used for writing. It is printed with squares, typically 200 or 400 per sheet, each square designed to accommodate a single Japanese character or punctuation mark.
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
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These versions were valuable tools for learning the Japanese language, as they afforded missionaries an opportunity to become familiar with the Japanese language without interacting with the complex Japanese orthographical systems. The first such work was a translation of Aesop's Fables, (ESOPO NO FABVLAS) published in 1593. This publication ...