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Rough-hew them how we will ... report me and my cause aright ... To tell my story. (Hamlet's dying request to Horatio)... The rest is silence. (Hamlet's last words) Now cracks a noble heart. Good night, sweet prince, And flights of angels sing thee to thy rest....so shall you hear Of carnal, bloody, and unnatural acts,
In Cosmopolitan, "The Man Upstairs" was illustrated by James Montgomery Flagg, [25] "Rough-Hew Them How We Will" was illustrated by Dan Sayre Groesbeck, [26] and "The Man, the Maid and the Miasma" was illustrated by G. F. Kerr. [27] In Pictorial Review, "By Advice of Counsel" was illustrated by Phillips Ward, [28] and "Three From Dunsterville ...
No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream. I am not unmindful that some of you have come here out of ...
"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. [2] This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English ...
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
Hugh Selwyn Mauberley addresses Pound's alleged failure as a poet. F. R. Leavis considered it "quintessential autobiography." [2]Speaking of himself in the third person, Pound criticises his earlier works as attempts to "wring lilies from the acorn", that is to pursue aesthetic goals and art for art's sake in a rough setting, America, which he calls "a half-savage country".
Most of the pairs listed below are closely related: for example, "absent" as a noun meaning "missing", and as a verb meaning "to make oneself missing". There are also many cases in which homographs are of an entirely separate origin, or whose meanings have diverged to the point that present-day speakers have little historical understanding: for ...