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The poem is a late-19th century romantic [2] chanson de geste [3] of the Río de la Plata revolutionary group known as the Thirty-Three Orientals, whose actions culminated in the foundation of modern Uruguay. With 413 verses, it was written within a week and recited by the author at the dedication of the Villa de la Florida monument to ...
The "Himno Nacional de Uruguay" (English: "National Anthem of Uruguay"), also known by its incipit "Orientales, la Patria o la Tumba" (English: "Easterners, [a] the Country or the Tomb"), [1] is the longest national anthem in terms of duration with 105 bars of music. [2]
Two of Zorrilla's best-known poems are Tabaré (the national poem for Uruguayans) and La leyenda patria (The Fatherland Legend). He also wrote the Hymn to the Tree (Himno al Arbol), a well-known Spanish poem later made a song in several Latin-American countries.
Pages in category "Uruguayan poems" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. L. La leyenda patria; P.
[2] [3] On 8 September 1930, Pope Pius XI formally declared Our Lady of Lujan as the Patroness of Uruguay. The Papal document was signed by Cardinal Eugenio Pacelli, the future Pope Pius XII. [4] In 1962, the image was solemnly crowned by bishop Humberto Tonna . [2] Soon afterwards, Pope John XXIII declared her patron saint of Uruguay. [1]
The most distinctive music of Uruguay is to be found in the tango and candombe; both genres have been recognized by UNESCO as an Intangible Cultural Heritage of Humanity. . Uruguayan music includes a number of local musical forms such as murga, a form of musical theatre, and milonga, a folk guitar and song form deriving from Spanish and italian traditions and related to similar forms found in ...
Uruguayan poets (6 C) U. Uruguayan poems (3 P) ... La leyenda patria This page was last edited on 26 August 2022, at 21:21 (UTC). Text is available under the Creative ...
In the mid-18th century, Afro-uruguayan enslaved people had one day off to celebrate their own culture and traditions to the rhythm of the drums of Candombe music. In fact, the term "Las Llamadas" (The Calls), which is a traditional carnival dance parade in Montevideo, comes from the call made by the Afro-uruguayan slaves when they wanted to ...