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Holi (Hindi pronunciation:) is a popular and significant Hindu festival celebrated as the Festival of Colours, Love, and Spring. [ 1 ] [ 6 ] [ 7 ] [ 8 ] It celebrates the eternal and divine love of the deities Radha and Krishna .
Poster depicting Prabhupada for the 1967 Mantra-Rock Dance, a fundraising event in aid of ISKCON's San Francisco temple. In 1968, A.C. Bhaktivedanta Swami Prabhupada, founder and acharya (leader) of the International Society for Krishna Consciousness (ISKCON), sent six of his devotees to London to establish a new centre there, the Radha Krishna Temple, and so expand on the success of ISKCON's ...
Some shlokas, bhajans, songs, and background music from Swastik's another magnum opus series Mahabharat are also used in the series. Surya Raj Kamal has composed more than 20 original compositions for Raasleela of Radha-Krishn. Star Bharat in December 2018 uploaded a video consisting of 14 songs from the series till that date. [9]
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Notable English translations are: Edwin Arnold's The Indian Song of Songs (1875); Sri Jayadevas Gita Govinda: The loves of Krisna and Radha (Bombay 1940) by George Keyt and Harold Peiris; [17] S. Lakshminarasimha Sastri The Gita Govinda of Jayadeva, Madras, 1956; Duncan Greenlee's Theosophical rendering The Song of the Divine, Madras, 1962 ...
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
The predominant theme of North Indian Kathak dancing lies in the fleeting appearances and longer stories of Radha and Krishna. The sacred love of Krishna and his beloved Radha, are woven into all aspects of the Kathak dance and is clearly visible during the discussions of the music, costumes and finally the role of the Kathak dancer. [178]
Vaiṣṇava Sahajiyās held that the erotic flavor of devotion was the superior rasa of divine love. [4] As such, a central practice in their tradition was sexual yoga, which they held re-enacted the divine love between Radha and Krishna and allowed them to taste the flavor (rasa) of the divine love through their own personal experience.