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Claricia or Clarica was a 13th-century German illuminator. She is noted for including a self-portrait in a South German psalter of c. 1200, now in The Walters Art Museum, Baltimore . In the self-portrait, she depicts herself as swinging from the tail of a letter Q. [ 1 ] Additionally, she inscribed her name over her head.
Anastasia (flourished c. 1400 in Paris) was a French illuminator of manuscripts, apparently specializing in the elaborate decorative borders that were increasingly fashionable, and landscape backgrounds. [1]
Ende (or En) is the first known Spanish female manuscript illuminator to have her work documented through inscription: ENDE PINTRIX ET D(E)I AIUTRIX in the colophon of the Gerona Beatus. [1] Most information about her comes down to the inscription in her artwork as there was no other record. [ 2 ]
The colophon and the dedicatory miniature discussed above document the collaboration between Guta and Sintram in the production of the manuscript, illustrating that men and women could work closely together in medieval scriptoria. In the dedicatory miniature, the Virgin Mary is shown to recognize the collaborative nature of this endeavour ...
A limner is an illuminator of manuscripts, or more generally, a painter of ornamental decoration. A mention of medieval limners' work appears in the book Methods and Materials of Painting by Charles Lock Eastlake (1793–1865). "The treatises [on oil painting] cannot be placed later than the thirteenth, or beginning of the fourteenth, century.
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