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For the Barcelona Pavilion, that methodology spawned, among other furnishings, the Barcelona chair, a lounge seat that’s endured as a design icon for almost a century.
The Barcelona chair is a chair designed by Ludwig Mies van der Rohe and Lilly Reich, [1] [2] for the German Pavilion at the International Exposition of 1929, hosted by Barcelona, Catalonia, Spain. The chair was first used in Villa Tugendhat , a private residence, designed by Mies in Brno ( Czech Republic ).
601 Chair by Dieter Rams. 10 Downing Street Guard Chairs, two antique chairs used by guards in the early 19th century; 14 chair (No. 14 chair) is the archetypal bentwood side chair originally made by the Gebrüder Thonet chair company of Germany in the 19th century, and widely copied and popular today [1]
The ideal or preferred female body size and shape has varied over time and continues to vary among cultures; [46] [47] but a preference for a small waist has remained fairly constant throughout history. [48] A low waist–hip ratio has often been seen as a sign of good health and reproductive potential. [49]
Images of the chair on the fashion website Buro 24/7 were met with accusations of racism, when they showed a white woman, Dasha Zhukova, sitting on the seat. [10] Melgaard's Chair was part of a collection of sculptures exhibited under the name Allen Jones Remake at the Venus Over Manhattan gallery, New York in 2013. [11]
The Tugendhat chair (model number MR70) is a modernist cantilever chair designed by Ludwig Mies van der Rohe in collaboration with Lilly Reich 1929–1930 for the Tugendhat House in Brno, Czechoslovakia. In appearance, the Tugendhat chair is somewhat of a hybrid of van der Rohe and Reich's 1929 Barcelona chair and 1929–1930 Brno chair.