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Guatemala City: Fondo de Cultura Económica, 2003. Dieter Lehnhoff. "Guatemala." Diccionario de la Música Española e Hispanoamericana, 10 vols., ed. Emilio Casares Rodicio. Madrid: Sociedad General de Autores y Editores, 2000, 6/1-11. ISBN 84-8048-303-2; Dieter Lehnhoff. Creación musical en Guatemala. Guatemala City: Editorial Galería ...
Yucatán has its own musical traditions, one in particular known as "música/danza jarana." Although the jarana is the main/central instrument in a typical ensemble, other kinds of guitars are utilized. The local music generally includes both very strong Spanish and indigenous influences as well as, to an extent, Caribbean influences.
The son music from this area was adapted by Oaxaca musician Susana Harp in the 2000s. Traditional chilena songs include “Mariquita María” and “El Santiaguito.” [10] Abajeño music, also known as pirekua, is tied to the Purépecha people. The songs of this style are dedicated to flowers, the countryside, nature, women and life.
Mariachi (US: / ˌ m ɑːr i ˈ ɑː tʃ i /, UK: / ˌ m ær-/, Spanish: [maˈɾjatʃi]) is an ensemble of musicians that typically play ranchera, the regional Mexican music dating back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. [1]
From the guitarron and the requinto to the guiro and the tololoche, these are some of the instruments responsible for música Mexicana's distinct qualities. Get to know the instruments behind ...
In February 2024, Carín León, who is known to incorporate country music influence into several of his songs, [44] became the first regional Mexican artist to perform in one of country music's most prestigious venues, the Grand Ole Opry. [45]
Grandante, William. "Mexican Popular Music at Mid-century: The role of José Alfredo Jiménez and the Canción Ranchera," Studies in Latin American Popular Culture 2(1983): 99–114. Grial, Hugo de Geijertam. Popular Music in Mexico. Albuquerque: University of New Mexico Press 1976. Moreno Rivas, Yolanda. Historia de la música popular mexicana ...
Song about the battle of Ciudad Juarez title Toma de Ciudad Juárez. In the Mestizo-Mexican cultural area, the three variants of corrido (romance, revolutionary and modern) are both alive and sung, along with popular sister narrative genres, such as the "valona" of Michoacán state, the "son arribeño" of the Sierra Gorda (Guanajuato, Hidalgo and Querétaro states) and others.