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He ran a club in San Francisco called Keystone Korner from 1972 to 1983, which became, in the words of journalist Bob Margolis, "legendary for its adventurous bookings and its bohemian ambience". [2] A fan of jazz from a young age, Barkan ran the club despite its inability to break even, and financial troubles resulted in its closure in 1983.
Faced with economic challenges, Barkan was forced to close the Keystone Korner in 1983. [6] In 2019, Barkan and Michelin-starred chef Robert Wiedmaier re-launched the Keystone Korner in Baltimore's Harbor East. [7] Bassist and bandleader Ron Carter and his trio with guitarist Russell Malone and pianist Donald Vega opened the club on April 30 ...
It was recorded during March 1980 at the Keystone Korner in San Francisco, California, and was released in 2016 by HighNote Records. On the album, Lincoln is joined by pianist Phil Wright, double bassists James Leary and Art Washington, and drummer Doug Sides .
Sophisticated Abbey: Live at the Keystone Korner is a live album by jazz vocalist Abbey Lincoln. It was recorded during March 1980 at the Keystone Korner in San Francisco, California, and was released in 2015 by HighNote Records. On the album, Lincoln is joined by pianist Phil Wright, double bassist James Leary, and drummer Doug Sides. [1] [2 ...
Bright Moments is a live album by the jazz multi-instrumentalist Rahsaan Roland Kirk, recorded at Keystone Korner, San Francisco, in June 1973 and released in 1974. [3] [4] It contains performances by Kirk with Ron Burton, Todd Barkan, Henry Mattathias Pearson, Robert Shy and Joe "Habao" Texidor.
Wild and Free: Live at the Keystone Korner is a 1980 live album by Mark Murphy. Wild and Free: Live at the Keystone Korner is the 49th album by American jazz vocalist Mark Murphy. It was recorded when Murphy was 48 years old and released by the HighNotes Records label in the United States in 2017, two years after his death.
Don't rely on bloviating pundits to tell you who'll prevail on Hollywood's big night. The Huffington Post crunched the stats on every Oscar nominee of the past 30 years to produce a scientific metric for predicting the winners at the 2013 Academy Awards.
AllMusic reviewer Thom Jurek states, "Byard was a true giant of jazz and this set, in excellent sound, displays all of the reasons". [2] All About Jazz's George Kanzler noted "Byard was at his uninhibited best as a solo pianist and this CD unearths a sterling solo set recorded in 1978 at a San Francisco jazz club".