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"Royal Roost", which Dorham had recorded in 1946 as a member of Kenny Clarke's 52nd Street Boys group, was recorded by Sonny Rollins in May of 1956 under the title Tenor Madness. "Mexico City" is a contrafact of Bud Powell's composition Tempus Fugit .
Roost Records (also known as Royal Roost Records) was a jazz record label established in 1949 by music producer Teddy Reig in New York City. The label was named after a club in New York City. Saxophonist Stan Getz, early in his career, recorded for the label, as did guitarist Johnny Smith. Smith was the bestselling artist on the Roost label. [1]
In 1949, a record label, Roost Records, was founded by Arthur Faden, Bill Faden, Monty Kay and Ralph Watkins, which recorded many of the musicians who performed at the club. In September 1948, Miles Davis debuted his nonet at the club, a project that would eventually give rise to the seminal cool jazz album Birth of the Cool .
The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286] Hymnal for the Sunday School (1922) [336] Hymns and Prayers for Church Societies and Assemblies (1923) [337] United Norwegian Lutheran Church of America
Charlotte Elliott (18 March 1789 – 22 September 1871) was an English evangelical Anglican [1] poet, hymn writer, and editor. She is best known by two hymns, "Just As I Am" and "Thy will be done". [2] Elliott edited Christian Remembrancer Pocket Book (1834–1859) and The Invalid's Hymn book, 6th edition, 1854. [2]
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
In the late 17th century, the composer Henry Purcell, who served as organist of both the Chapel Royal and Westminster Abbey, wrote many choral anthems and service settings. During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church ...
His journal contains 736 hymns. [1] Collections of his writings were published in the pamphlet "Voice from the Mountains" in 1881 and a 344-page book of poems in 1882. His most sung hymn, "High on the Mountain Top", was written on February 19, 1853. [1] Other estimates place Johnson's total work in writing hymn texts and poems at about 1,000. [17]