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The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Inner Child is the second studio album by American R&B singer Shanice.It was released on November 19, 1991, by Motown Records.The album peaked at number 13 on Billboard's Top R&B Albums charta and features a remake of Minnie Riperton's 1974 hit "Lovin' You" which hit number 59 on the R&B Singles chart in the summer of 1992.
Like the group's three previous albums, To Our Children's Children's Children is a concept album with a common theme that ties the songs together. For Children, the band was inspired by the space race and the July 1969 Apollo 11 moon landing, which occurred during the album's sessions.
In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F ♯ played with a C 7 chord would be considered a chord tone if the chord were analyzed as C 7(♯ 11).
In some schools of popular psychology and analytical psychology, the inner child is an individual's childlike aspect. It includes what a person learned as a child before puberty. The inner child is often conceived as a semi-independent subpersonality subordinate to the waking conscious mind. The term has therapeutic applications in counseling ...
Self-parenting is a paradigm that explains the characteristic interaction between the two voices having conversation inside a person's mind. [1]The idea of self-parenting is that a person's "mind" is created in the form of a conversation between two voices generated by the two parts of the cerebral hemisphere.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
In music of the common practice period, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth scale degree above the tonic, or the fourth below it) in between.