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Tribal art is the visual arts and material culture of indigenous peoples.Also known as non-Western art or ethnographic art, or, controversially, primitive art, [1] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
Underwater Panther, George Gustav Heye Center, National Museum of the American Indian An underwater panther (Ojibwe: Mishipeshu (syllabic: ᒥᔑᐯᔓ) or Mishibijiw (ᒥᔑᐱᒋᐤ) [mɪʃʃɪbɪʑɪw]), is one of the most important of several mythical water beings among many Indigenous peoples of the Northeastern Woodlands and Great Lakes region, particularly among the Anishinaabe.
Lin Chong is a fictional character in Water Margin, one of the Four Great Classical Novels in Chinese literature.Nicknamed "Panther Head", he ranks sixth among the 36 Heavenly Spirits.
A tadpole person [1] [2] [3] or headfooter [4] [5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more realistic depictions such as stick figures .
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
These paintings draw upon tribal folklore and have ritualistic importance. Ikons make extensive use of symbolically pregnant icons that mirror the quotidian chores of the Sauras. People, horses, elephants, the sun and the moon and the tree of life are recurring motifs in these ikons. Ikons were originally painted on the walls of the Saura's ...