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For Continental archaeologists, all metal jewellery clothes-fasteners are usually "fibulae". There are hundreds of different types of fibulae. They are usually divided into families that are based upon historical periods, geography, and/or cultures. Fibulae are also divided into classes that are based upon their general forms.
The frog is the end-product of thousands years of traditional Chinese knotting craft, which is itself rooted in the Lào zi culture. [3] [11] As a form of fastener, the frog first appeared on traditional Chinese clothing, [1] [12] and can be traced back to the Song dynasty when fabric was braided into braid buckles to create the loop and the button knot.
Since clothing was rarely cut or sewn, fasteners and buttons were often used to keep garments in place. [4] [9] Small buttons, pins, and brooches were used. [4] [9] Porpe (πόρπη), was the pin of a buckle or clasp and also the clasp itself. [73]
A cope (Latin: pluviale ("rain coat") or cappa ("cape")) is a liturgical long mantle or cloak, open at the front and fastened at the breast with a band or clasp. It may be of any liturgical colour. A cope may be worn by any rank of the Catholic or Anglican clergy, and by licensed lay ministers on certain occasions.
Brooches of the Anglo-Saxon era were worn primarily by women. According to clothing historian, Penelope Walton Rogers, "For the Anglo-Saxon woman, brooches, pins, clasps and buckles were as essential to her clothing as modern button and zip-fasteners. However, decorative their appearance and however much they were used to express social and ...
The "clasp locker" was a complicated hook-and-eye fastener with an arrangement of hooks and eyes run by a "guide" for closing and opening a clothing item. The first application was as a shoe fastener, and there is mention in the patents for possible applications for corsets , gloves , mail bags , and "generally wherever it is desired to ...