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Later, when Antwerp came under Protestant administration in 1581, a number of artistic treasures were once again destroyed, removed or sold. The restoration of Roman Catholic authority came in 1585 with the fall of Antwerp. In 1794 the French revolutionaries who conquered the region plundered Our Lady's Cathedral and inflicted serious damage. [1]
Laboratorium was a contemporary art exhibition curated by Barbara Vanderlinden and Hans-Ulrich Obrist at Fotomuseum Antwerp, the Century City building and various other locations in Antwerp, Belgium, from 27 June to 3 October 1999.
In mid-June, 1584, Alexander Farnese had decided the time was right to make preparations for besieging Antwerp. [4] Farnese left Bruges for Antwerp on July 3, 1584. [5] When the siege of Antwerp began (1584) most of the County of Flanders and the Duchy of Brabant had been recaptured in the preceding year. The Prince of Parma's forces had been ...
The Grote Markt (Dutch: [ˌɣroːtə ˈmɑr(ə)kt] ⓘ; "Big Market") is the central square of Antwerp, Belgium, situated in the heart of the old city quarter.It is surrounded by the city's Renaissance Town Hall, as well as numerous guildhalls with elaborate façades, the majority of which are reconstructions from the 19th and early 20th century, approximating paintings of the square by ...
The commodity exchange fell into disuse in the 17th century, following the Fall of Antwerp (1584–1585), when Amsterdam replaced Antwerp as the Low Countries' main trading centre. Following a fire in 1858, the building was reconstructed, and from 1872 once again served the purpose of housing a bourse, this time as a true stock exchange, the ...
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During French occupations in 1794 and 1796, art was looted from churches and other buildings in Antwerp; the pieces that were later recovered became part of the museum's collection. By 1817 the museum listed 127 items in its catalogue, mostly dating to the mid-16th and 17th centuries, with Rubens at the heart of the collection.
The Fall of Icarus, now considered a copy of Pieter Bruegel the Elder. Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries, as well as many continuities with the preceding Early Netherlandish painting.