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A shotgun microphone equipped with a windscreen. Various types of microphones are used in drum corps for the purposes of amplification and digital sound processing. In the front ensemble, mics are mounted on the top and/or bottom of large instruments like marimbas and vibraphones; additionally, standing mics are positioned as to assist the sound of auxiliary percussion instruments. [3]
The keywork was the most fully adjustable of any saxophone during that period. C. G. Conn's laboratory was expanded into the Division of Research, Development and Design in 1940, directed by Earle Kent. C. G. Conn's combined abilities in close-tolerance manufacturing and electronic devices made them a valuable resource for wartime production.
The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the air and embouchure .
The whirly tube, corrugaphone, or bloogle resonator, also sold as Free-Ka in the 1960s-1970s, is an experimental musical instrument which consists of a corrugated (ribbed) plastic tube or hose (hollow flexible cylinder), open at both ends and possibly wider at one end (), the thinner of which is rotated in a circle to play.
Mellophone bugles keyed in G were manufactured for American drum and bugle corps from approximately the 1950s until around 2000 when Drum Corps International changed the rules to allow brass instruments in any key. Modern marching mellophones are more directly related to bugle-horns such as the flugelhorn, euphonium, and tuba. Their tube ...
The drum and bugle corps activity has been a driving force of innovation behind the creation of marching brass instruments for many decades. The mellophone and the contrabass bugle are among the creations spawned by instrument manufacturers for use in the marching activity due to the influence of drum and bugle corps hornlines.
This is because the bugle, for which it is written, can play only the notes in the harmonic series of the instrument's fundamental tone; a B-flat bugle thus plays the notes B-flat, D, and F. "Taps" uses the third, fourth, fifth, and sixth partials. Taps in C "Taps" is a bugle call—a signal, not a song. As such, there is no associated lyric.
Bugle Soprano bugle Mellophone bugle French horn bugle: G 3: Baritone bugle Euphonium bugle G 2: Contrabass bugle: G 1: Carillon: Various Since they are seldom played ...