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The Waves is a 1931 novel by English novelist Virginia Woolf.It is critically regarded as her most experimental work, [1] consisting of ambiguous and cryptic soliloquies spoken mainly by six characters: Bernard, Susan, Rhoda, Neville, Jinny and Louis. [2]
A portrait of Woolf by Roger Fry c. 1917 Lytton Strachey and Woolf at Garsington, 1923 Virginia Woolf 1927 Woolf is considered to be one of the most important 20th-century novelists. [ 162 ] A modernist , she was one of the pioneers of using stream of consciousness as a narrative device , alongside contemporaries such as Marcel Proust , [ 163 ...
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Virginia was enthusiastic about his suggestion of a "letter to a young poet", which she thought was "most brilliant". [1] Her essay [ 2 ] takes the form of an epistolary letter addressed to Lehmann, and was first published in North America in The Yale Review in June 1932, and then by the Hogarth Press as the eighth in their series, The Hogarth ...
These writings included, Bateau ivre: the symbol of the sea in Virginia Woolf's "The Waves" (1953), Perceptive contemplation in the work of Virginia Woolf (in English Studies, vol. 35, 1954), and Mystical Experience in Virginia Woolf's The Waves (with Margaret Havard-Williams, in Essays in Criticism, vol. 4, 1954).
Virginia Woolf's defence of modernism, Mr. Bennett and Mrs. Brown (1924) was the initial publication in the series. Cover illustrations were by Woolf’s sister Vanessa Bell. Bell also designed book jackets for all of Woolf’s books that were published by Hogarth Press. [15] [14] The Letters are less well known, and are epistolary in form ...
Important literary works entering the public domain include Pearl S. Buck's The Good Earth, Virginia Woolf's novel The Waves, Lynn Riggs' play Green Grows the Lilacs, Erich Maria Remarque's novel The Road Back, Winston Churchill's final volume of The World Crisis, Walter B. Gibson's pulp novel The Living Shadow introducing The Shadow, Georges ...
"A Sketch of the Past" is an autobiographical essay written by Virginia Woolf in 1939. It was written as a break from writing her biography of Roger Fry, English artist and critic, and fellow member of the Bloomsbury Group.