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  2. Xuan paper - Wikipedia

    en.wikipedia.org/wiki/Xuan_paper

    Xuan paper, Shuen paper, or rice paper, is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine-textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting .

  3. Freehand brush work - Wikipedia

    en.wikipedia.org/wiki/Freehand_brush_work

    Xuan paper is a special kind of paper that can absorb the ink and water. There are raw paper and ripe paper under this type and each kind has particular function for Chinese traditional painting. Raw paper is the main material of free hand brush work for it has better absorbency and is more solid.

  4. Gongbi - Wikipedia

    en.wikipedia.org/wiki/Gongbi

    There are two different kinds of Xuan paper. One is called Shu Xuan paper (cooked rice paper). It is usually used for Gongbi. Another kind is Sheng Xuan paper (raw rice paper). It is usually used for Xieyi ( 'sketch-thought style painting'). The soft paper is able to absorb water well, best used for Chinese painting and calligraphy. [3]

  5. Inside Art Basel Miami Beach: 22 photos show some of ... - AOL

    www.aol.com/news/inside-art-basel-miami-beach...

    The colossal work was made from Xuan paper, cotton threads, steel frame structures, and bamboo. Alice Aycock's "Goya Twister" created a dynamic illusion of movement. Aycock's sculpture appeared to ...

  6. Xuan writing brush - Wikipedia

    en.wikipedia.org/wiki/Xuan_writing_brush

    Xuan writing brush or Xuanbi (simplified Chinese: 宣笔; traditional Chinese: 宣筆; pinyin: Xuān Bǐ), is a type of ink brush made in Anhui Province, China. Xuan brushes are often used and mentioned together with Xuan paper , a kind of writing rice-paper.

  7. Ink wash painting - Wikipedia

    en.wikipedia.org/wiki/Ink_wash_painting

    Ink on Xuan paper. Height: 156.8 cm (61.7 in); width: 356 cm (140 in). 16th century, Japan. The painting has been designated as a National Treasure. East Asian writing on aesthetics is generally consistent in saying that the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit.

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