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White Jazz is a 1992 crime fiction novel by James Ellroy. It is the fourth in his L.A. Quartet , preceded by The Black Dahlia , The Big Nowhere , and L.A. Confidential . James Ellroy dedicated White Jazz "TO Helen Knode ."
Appearance: White Jazz. The protagonist of White Jazz. The novel is told through Dave Klein's stream of consciousness, as well as articles and newspaper headlines that accompany many of Ellroy's books. He is an immoral cop who moonlights as a hitman, enforcer, slumlord and lawyer, working for people such as Howard Hughes and the mob.
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... Andrew White (1942–2020) [1 ...
White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine, who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". [22] The Original Dixieland Jazz Band , whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most ...
Michael Walter White (24 May 1930 – 6 December 2016) was an American jazz violinist. [ 1 ] [ 2 ] White was born in Houston, Texas , and grew up in Oakland, California , taking up the violin when he was six years old.
Leonard White III (born December 19, 1949) is an American jazz fusion drummer who was a member of the band Return to Forever led by Chick Corea in the 1970s. White has been called "one of the founding fathers of jazz fusion". [1] [2] [3] White has won three Grammys and one Latin Grammy.
Alan White (21 December 1946 – 5 August 2020), known as Chip White, was an American jazz drummer who has performed and/or recorded with a variety of artists, including Carmen McRae, Jaki Byard, the Jazzmobile CETA Big Band, Candido, John Abercrombie, Frank Wess, and many others. White died on August 5, 2020, in Harlem, New York City.
1923 – "Tin Roof Blues" is a jazz composition by George Brunies, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel of the New Orleans Rhythm Kings. [13] The band first recorded the tune in 1923, and it became a major influence for later white jazz groups. [14] It is one of the early New Orleans jazz pieces most often played. [15]