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Nollaig Casey (Irish: Nollaig Ní Chathasaigh) [1] is an Irish fiddle player, and has an international reputation as one of Ireland's finest fiddle players. By the time she was eleven years old she could play violin, piano, tin whistle and uilleann pipes. [2]
Reference to the Irish fiddle can also be found in John Dunton's Teague Land: or A Merry Ramble to the Wild Irish (1698) he says “on Sundays and Holydays, all the people resorted with the piper and fiddler to the village green" Thomas Dineley visited Ireland in 1680 he says in regards to music "with piper, harper, or fidler, revell and dance ...
James Kelly (Irish: Séamus Ó Ceallaigh; born 1957) is an Irish fiddler, composer, collector, researcher and teacher from Dublin. [1] [2] He is the son of County Clare fiddler, John Kelly, and has played with various groups including Patrick Street and Planxty. [1]
Kathleen Nesbitt began teaching fiddle in 1967 and is among the most well known music teachers in Ireland. In 1983, she began teaching an intensive master class at Scoil Éigse. She has travelled internationally performing in the US, Canada, Iceland and France. Since 1990, she has taught at the Festival Interceltique de Lorient.
The Traditional Tune Archive (TTA) is the searchable digital library of traditional music from Ireland, Great Britain and North America organized alphabetically, by tune title, with alternate or additional titles and variants cross-referenced, music in standard and ABC notation, annotated information on history and context, along with references and internet links for further reference.
Kevin Burke (born 1950) is an Irish master fiddler considered one of the finest living Irish fiddlers. [1] [2] [3] For nearly five decades he has been at the forefront of Irish traditional music and Celtic music, [4] performing and recording with the groups The Bothy Band, Patrick Street, and the Celtic Fiddle Festival. [1]
The Donegal fiddle tradition is one of the distinct fiddle traditions within Irish traditional music. [1] The distinctness of the Donegal tradition developed due to the close relations between County Donegal and Scotland , and the Donegal repertoire and style has influences from Scottish fiddle music .
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