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"9 PM (Till I Come)" peaked at number 14 on the German Singles Chart.Internationally, the song was also successful. The single entered at number one in the United Kingdom for the week ending 3 July 1999 (though it had charted earlier in the year on import sales) becoming the first trance song to top the UK charts, and stayed there for two weeks, [10] becoming the country's fifth best-selling ...
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
James Taylor singles chronology. "Long Ago and Far Away". (1971) " Don't Let Me Be Lonely Tonight ". (1972) "One Man Parade". (1973) " Don't Let Me Be Lonely Tonight " is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog. The song has been included on three of Taylor's greatest-hits ...
Some sources notate slash chords with a horizontal line, [3] although this is discouraged as this type of notation can also imply a polychord.While almost all pop and rock usages of slash chords are intended to be read as a chord with a bass note underneath it other than the root of the chord, in jazz and jazz fusion, sometimes a chord notated as F/A is intended to be read as a polychord; in ...
Beaucoups of Blues is the second studio album by the English rock musician and former Beatle Ringo Starr. It was released in September 1970, five months after his debut solo album, Sentimental Journey. Beaucoups of Blues is very far removed in style from its pop-based predecessor, relying on country and western influences.
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"How Long" is the debut single by the English band Ace, from their 1974 debut album, Five-A-Side. It reached No. 3 on both the US and Canadian charts, and No. 20 on the UK Singles Chart. [5] In a 1981 issue of Smash Hits, Phil Collins named the song as one of his top 10 favourites, describing it as a "classic single". [6]