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Robert Schumann. This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on ...
For works published by Schumann or prepared by him for publication and published posthumously, opus numbers are given. For works not published or prepared for publication by Schumann, McCorkle's RSW (" Robert-Schumann-Werkverzeichnis ") numbers are listed first, and Hofmann-Keil (H/K) WoO (" Werke ohne Opuszahl ") numbers, which are still ...
For works neither published nor prepared for publication by Schumann, RSW (Robert-Schumann-Werkverzeichnis) numbers, as assigned by McCorkle, are used. Hofmann-Keil (H/K) WoO numberings are given for some items in brackets; the catalogue Hofman and Keil prepared, though incomplete, was the most popular before the publication of McCorkle's, and ...
Robert Schumann [n 1] (German: [ˈʁoːbɛʁt ˈʃuːman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the ...
Concertante works by Robert Schumann (1 C, 2 P) L. ... Pages in category "Compositions by Robert Schumann" The following 12 pages are in this category, out of 12 total.
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent.
The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. [1] It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.
He described them in 1840 as "more cheerful, gentler, more melodic" than his earlier works. [2] Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, [3] and Träumerei is the title of a 1944 German biographical film on Schumann. [4]