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The Complete Works of Friedrich Nietzsche. Volume 12. Translation. Gary Handwork. (Stanford, California: Stanford University Press, 2021). Hardcover ISBN 978-0-8047-2885-0. Paperback ISBN 978-1-5036-1484-0; Unpublished Writings from the Period of Dawn (Winter 1879/80–Spring 1881). The Complete Works of Friedrich Nietzsche. Volume 13 ...
This is a bibliography of works about 19th-century philosopher Friedrich Nietzsche.. There have been many bibliographies documenting works about Nietzsche, the most comprehensive is considered to be the Weimarer Nietzsche-Bibliographie published between 2000 and 2002, listing over 20,000 items from 1867 to 1998, volume 1 consisting of Nietzsche's own works and translations in 42 languages ...
Human, All Too Human: A Book for Free Spirits (German: Menschliches, Allzumenschliches: Ein Buch für freie Geister) is a book by 19th-century philosopher Friedrich Nietzsche, originally published in 1878.
Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen), also translated as Thus Spake Zarathustra, is a work of philosophical fiction written by German philosopher Friedrich Nietzsche; it was published in four volumes between 1883 and 1885.
H.L. Mencken produced the first book on Nietzsche in English in 1907, The Philosophy of Friedrich Nietzsche, and in 1910 a book of translated paragraphs from Nietzsche, increasing knowledge of his philosophy in the United States. [262] Nietzsche is known today as a precursor to existentialism, post-structuralism and postmodernism. [263]
The Will to Power (German: Der Wille zur Macht) is a book of notes drawn from the literary remains (or Nachlass) of the philosopher Friedrich Nietzsche by his sister Elisabeth Förster-Nietzsche and Peter Gast (Heinrich Köselitz). The title derived from a work that Nietzsche himself had considered writing.
Twilight of the Idols, or, How to Philosophize with a Hammer (German: Götzen-Dämmerung, oder, Wie man mit dem Hammer philosophiert) is a book by Friedrich Nietzsche, written in 1888, and published in 1889.
The book shows Nietzsche as a capable music critic and provides the setting for some of his further reflections on the nature of art and its relationship to the future health of humanity. This work is in sharp contrast with the second part of Nietzsche's The Birth of Tragedy , wherein he praised Wagner as fulfilling a need in music to go beyond ...