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"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.
Tonic Sol-fa is an a cappella quartet from the Minneapolis–Saint Paul region. With a largely pop-music-oriented repertoire, their CDs have sold over 2,000,000 copies, [1] and the group has toured throughout the US and abroad. [citation needed]
Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.
In Movable do [13] or tonic sol-fa, each syllable corresponds to a scale degree; for example, if the music changes into a higher key, each syllable moves to a correspondingly higher note. This is analogous to the Guidonian practice of giving each degree of the hexachord a solfège name, and is mostly used in Germanic countries, Commonwealth ...
The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). The system for other Western countries is similar, though si is often used as the final syllable rather than ti.
Sol-fa may refer to: Sol-fa, a 2004 album by Asian Kung-Fu Generation; Solfège, a music education method; Tonic sol-fa, a method of teaching sight-singing; Tonic Sol-fa (a cappella group), a quartet from Minnesota
Beginning in 1861, he was a regular contributor of Tonic sol-fa material to the Welsh music journal, Y cerddor Cymreig. [82] Parry's work with making Tonic sol-fa accessible allowed everyone with an interest in choral work to participate. [83] He edited Cambrian Minstrelsie (A National Collection of Welsh Songs) in 1893. [84]
Curwen's Solfege hand signs, including "mental effects" for each tone. Curwen's system was designed to aid in sight reading of the stave with its lines and spaces. He adapted it from a number of earlier musical systems, including the Norwich Sol-fa method of Sarah Ann Glover (1785–1867) of Norwich.