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For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ ] , / / and , see IPA § Brackets and transcription delimiters . Mi'kmaw hieroglyphic writing or Suckerfish script ( Mi'kmawi'sit : Gomgwejui'gasit ) was a writing system for the Mi'kmaw language , later superseded by various Latin scripts which are currently ...
Mazama temama (Central American red brocket) [citation needed] Menhaden (Brevoortia and Ethmidium) forage fish: Algonquian: A blend of poghaden probably from Abenaki or Penobscot, and an Algonquian word akin to Narragansett munnawhatteaûg, derived from munnohquohteau ("he fertilizes"), referring to their use of the fish as fertilizer. [160 ...
Upload file; Search. Search. Appearance. Donate; ... Download as PDF; Printable version ... See the Wikimedia links above for more symbols of Native American nations ...
Water glyphs are a recurring type of petroglyph found across the American southwest, but primarily in southern Utah, northern Arizona, and Nevada. The symbols are thought to be of ancient origin (perhaps created by the Ancestral Puebloans) and have been dated using x-ray fluorescence to around 2000 years. Classification as a water glyph ...
The yew portion of the hook was traditionally carved with an image intended to express respect for the halibut and spiritual comfort to the fishermen engaged in a very dangerous job. Common images are of the octopus, the raven, the halibut itself and the shaman, a supernatural entity believed to have the power to control the weather. [2]
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
The Indigenous peoples of the Pacific Northwest Coast are composed of many nations and tribal affiliations, each with distinctive cultural and political identities. They share certain beliefs, traditions and practices, such as the centrality of salmon as a resource and spiritual symbol, and many cultivation and subsistence practices.
Nanabozho is a shapeshifter who is both zoomorphic as well as anthropomorphic, meaning that Nanabozho can take the shape of animals or humans in storytelling. [5] Thus Nanabush takes many different forms in storytelling, often changing depending on the tribe.