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A Paterson System 4 developing tank. A developing tank is a light-tight container used for developing film. [1] A developing tank allows photographic film to be developed in a daylight environment. This is necessary because most film is panchromatic and therefore can not be exposed to any light during processing. [2]
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
Subminiature — "very much reduced in size", Oxford English Dictionary. A subminiature camera is a class of camera that is very much smaller than a "miniature camera". The term "miniature camera" was originally used to describe cameras using the 35 mm cine film as negative material for still photography; [1] so cameras that used film smaller than 35mm were referred to as "sub-miniat
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Minolta 16 II, 1960 Minolta 16 QT, 1972 Minolta 16 P, 1960. Minolta 16 refers to a line of 16mm subminiature cameras made by Minolta between 1955 and 1974. The negative size was 10x14 mm for the earlier models, later, a larger format, 12x17 mm was adopted, using single-perforated 16 mm film.
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A Scopitone film spool. The first Scopitones were made in France by a company called Cameca on Blvd Saint Denis in Courbevoie, among them Serge Gainsbourg's "Le poinçonneur des Lilas" (filmed in 1958 in the Porte des Lilas Métro station), [4] Johnny Hallyday's "Noir c'est noir" a French version of Los Bravos' "Black Is Black") and the "Hully Gully" showing a dance around a swimming pool.