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  2. Transcendental Étude No. 5 (Liszt) - Wikipedia

    en.wikipedia.org/wiki/Transcendental_Étude_No._5...

    In addition, the passages are often asymmetrical and unpredictable. It reaches several climaxes that are technically demanding and ends in pianissimo arpeggios. Despite the mechanical difficulties of the work, its greatest challenge lies in doing justice to its whimsical and mysterious character.

  3. Three Concert Études - Wikipedia

    en.wikipedia.org/wiki/Three_Concert_Études

    Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today. [1]

  4. Grand galop chromatique - Wikipedia

    en.wikipedia.org/wiki/Grand_galop_chromatique

    The galop features various technical difficulties, one of the most significant being the sixteenth-note jumps played by the right hand in bars 85 through 92, 157 through 164, and 173 through 180. Similar to the jumps studied in Liszt's étude " La campanella " but typically played far more rapidly, these jumps reach intervals of thirteen steps ...

  5. Transcendental Étude No. 4 (Liszt) - Wikipedia

    en.wikipedia.org/wiki/Transcendental_Étude_No._4...

    Transcendental Étude No. 4 in D minor, "Mazeppa" is the fourth of twelve Transcendental Études by Franz Liszt. It was published in 1852, and is part of a much larger cultural legacy of Mazeppa . Lord Byron wrote an epic poem Mazeppa in 1818, but Liszt's Mazeppa is based upon a poem by Victor Hugo which was published in 1829 as a part of a ...

  6. Musical works of Franz Liszt - Wikipedia

    en.wikipedia.org/wiki/Musical_works_of_Franz_Liszt

    Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...

  7. Transcendental Étude No. 7 (Liszt) - Wikipedia

    en.wikipedia.org/wiki/Transcendental_Étude_No._7...

    Transcendental Étude No. 7 in E ♭ major, "Eroica" is the seventh of the twelve Transcendental Études by Franz Liszt. It is a study of rapid downward runs, bravura and octaves (at the end). In a customary manner of Liszt, the piece begins with some sharp notes and fast, powerful descending scales.

  8. Franz Liszt - Wikipedia

    en.wikipedia.org/wiki/Franz_Liszt

    Franz Liszt [n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period.With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.

  9. Late works of Franz Liszt - Wikipedia

    en.wikipedia.org/wiki/Late_works_of_Franz_Liszt

    Liszt's technical achievements in his late music are one side of a more complex picture. Along with the increasing interest in Hungarian and other national schools of composition already mentioned, essential parts of this picture are tragedy in Liszt's personal life and developments in his friendship with Wagner. [17] Photograph of Liszt in the ...