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Large Trees at Dusk (1962) was one of several paintings and drawings in 1961 and 1962 which introduced a boldness of form and a more pronounced moodiness. [ 22 ] The paintings and prints that followed, executed either in black and white or in color, include numerous variations in the shape, size, and placement of trees.
The first in Ross-Craig's series Drawings of British Plants was published in 1948. [5] The series was issued as a set of inexpensive paperbacks retailing initially for 6 shillings, [9] a departure from similar books for professionals and wealthy amateurs.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Botanical illustration is the art of depicting the form, color, and details of plant species. They are generally meant to be scientifically descriptive about subjects depicted and are often found printed alongside a botanical description in books, magazines, and other media.
Ellis Rowan painted most of her Queensland paintings indoor, she always worked into the night to drawn plants that she collected on her journey. On the other hand, Ellis was a rapid and direct painter who made her botanical paintings outdoor, which usually without the under-drawing of the pencil.
Laporte published: Characters of Trees (1798–1801), Progressive Lessons sketched from Nature (1804), and The Progress of a Water-colour Drawing. Between 1801 and 1805 he and his collaborator William F. Wells made seventy-two soft-ground etchings after drawings by Thomas Gainsborough (thirty-three by Laporte, the remainder by Wells). [3]
Capodimonte porcelain jar painted in the stipple style of Giovanni Caselli with three figures of Pulcinella from the commedia dell'arte, 1745–1750 Graphics complex of a seashell with stipple shading modeled in Mathematica 13.1. Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a ...
The brave old plant, in its lonely days, Shall fatten upon the past: For the stateliest building man can raise Is the Ivy's food at last. Creeping on where time has been, A rare old plant is the Ivy green. The Trees and Undergrowth or sous-bois series of works he made in Paris and Saint-Rémy pay homage to Van Gogh's early letters about ivy. [12]