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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
The Bechtler Museum of Modern Art in Charlotte, North Carolina, is a 36,500-square-foot (3,390 m 2) museum space dedicated to the exhibition of mid-20th-century modern art. The modern art museum is part of the new Levine Center for the Arts in Uptown. The museum building was designed by architect Mario Botta.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
The Art of Richard Diebenkorn, with essays by John Elderfield, Ruth E. Fine, and Jane Livingston. The Whitney Museum of American Art, 1997, ISBN 0-520-21257-6; De Antonio, Emile and Tuchman, Mitchell. Painters Painting A Candid History of The Modern Art Scene, 1940–1970, Abbeville Press 1984, ISBN 0-89659-418-1
The pioneers of modern art were Romantics, Realists and Impressionists. [22] [failed verification] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: Post-Impressionism and Symbolism.
Rereadings into abstract art, done by art historians such as Linda Nochlin, [30] Griselda Pollock [31] and Catherine de Zegher [32] critically shows, however, that pioneer women artists who have produced major innovations in modern art had been ignored by the official accounts of its history, but finally began to achieve long overdue ...