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Along with sub-Saharan Africa, the Western cultural arts, ancient Egyptian paintings and artifacts, and indigenous southern crafts also contributed greatly to African art. The abundance of surrounding nature was often depicted through abstract interpretations of animals, plant life, or natural designs and shapes.
The music of West Africa must be considered under two main headings: in its northernmost and westernmost parts, many of the above-mentioned transnational sub-Saharan ethnic influences are found among the Hausa, the Fulani, the Wolof people, the Mande speakers of Mali, Senegal and Mauritania, the Gur-speaking peoples of Mali, Burkina Faso and ...
This is a list of musicians from African countries Algeria. See: List of Algerian musicians. Angola. See: List of Angolan musicians. Benin. Angelique Kidjo [1] ...
These styles have all borrowed from African rhythms and sounds, brought over the Atlantic Ocean by enslaved Africans. African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. [21]
Various other terms are used to describe it [1] including desert rock, Saharan rock, [3] Takamba, [2] Mali blues, [4] Tuareg rock [5] or simply "guitar music". [6] The style has been pioneered by Tuareg musicians in the Sahara region, particularly in Mali , Niger , Libya , Algeria , Burkina Faso and others; with it also being developed by ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2]
Music. The music of Africa is one of its most dynamic art forms. Egypt has long been a cultural focus of the Arab world, while remembrance of the rhythms of sub-Saharan Africa, in particular west Africa, was transmitted through the Atlantic slave trade to modern samba, blues, jazz, reggae, rap, and rock and roll.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).