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A dancer performing a contemporary dance piece Indian Contemporary Dancer at 2018 Folklorama Festival, Winnipeg. Contemporary dance [1] is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe.
Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide. [2] It is widely regarded as the first codified modern dance technique, [3] and strongly influenced the later techniques of Merce Cunningham, Lester Horton, and Paul Taylor. [4] [5] [6]
A contemporary ballet leap. Contemporary ballet is a genre of dance that incorporates elements of classical ballet and modern dance. [1] It employs classical ballet technique and in many cases classical pointe technique as well, but allows a greater range of movement of the upper body and is not constrained to the rigorously defined body lines and forms found in traditional, classical ballet.
Floorwork in a contemporary ballet variation. The use of floorwork is one of the major differences between modern dance and previous Western concert dance genres. [5] Isadora Duncan incorporated floorwork in dances as early as 1911, although credit for its introduction is more often given to her successor Martha Graham. [6]
It is uncommon for teachers to teach either Anatomical Release Technique, or Skinner Releasing Technique in the form taught by these two women; the principles which led to the development of both techniques predate both Fulkerson and Skinner, and they permeate professional contemporary dance education in a more diffuse way.
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. [2]