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Maurice Jean Jacques Merleau-Ponty [2] (/ ˈ m ɜːr l oʊ ˈ p ɒ n t i /; French: [moʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger.
The phenomenology of architecture is the philosophical study of architecture employing the methods of phenomenology. David Seamon defines it as "the descriptive and interpretive explication of architectural experiences, situations, and meanings as constituted by qualities and features of both the built environment and human life".
Usually, these situations are of personal significance; examples might include a major life event, or the development of an important relationship. IPA has its theoretical origins in phenomenology and hermeneutics, and many of its key ideas are inspired by the work of Edmund Husserl, Martin Heidegger, and Maurice Merleau-Ponty. [1]
Maurice Merleau-Ponty argued that the lesson of Husserl's reduction is that "there is no complete reduction" because even phenomenologists cannot resist how they have been shaped by their history, culture, society, and language. [4]
Edmund Husserl "set the phenomenological agenda" for even those who did not strictly adhere to his teachings, such as Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty, to name just the foremost. [32] [33] Each thinker has "different conceptions of phenomenology, different methods, and different results." [34]
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Les Temps Modernes (lit. ' Modern Times ') was a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty.Its first issue was published in October 1945.
The philosopher A. J. Ayer criticized Merleau-Ponty's arguments against the sense datum theory of perception, finding them inconclusive. He considered Merleau-Ponty's inclusion of a chapter on sexuality surprising, suggesting that Merleau-Ponty included it to give him an opportunity to revisit the Hegelian dialectic of the master and the slave.