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Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ]
Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967) Johann Nepomuk Hummel – Fantasia for piano in C major "Souvenir de Paganini", WoO 8, S. 190. Fritz Kreisler – Paganini Concerto in D major (recomposed paraphrase of the first movement of the Op. 6 Concerto) for violin and orchestra
Nicolo Paganini: His Life and Work. London: E. Shore & Co. ISBN 0-559-80636-1. Philippe Borer, The Twenty-Four Caprices of Niccolò Paganini. Their significance for the history of violin playing and the music of the Romantic era, Stiftung Zentralstelle der Studentenschaft der Universität Zürich, Zurich, 1997
Incipit for "La campanella" by Franz Liszt (Grandes études de Paganini S. 141 no. 3)The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note.
Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor , consists of a theme , 11 variations , and a finale.
Franz Liszt (1811–1886): set of Transcendental Études, with its two previous versions being Étude en douze exercises and Douze Grandes Études; six études, also with an earlier set, on themes by Niccolò Paganini (among them the famous La Campanella); and six concert études (one set of three, another set of two and Ab Irato which also has ...
The following 7 pages are in this category, out of 7 total. ... Caprice No. 5 (Paganini) Caprice No. 13 (Paganini) Caprice No. 16 (Paganini) Caprice No. 24 (Paganini)
The tempo marking here means "brisk and majestic". The movement modulates from D minor → F major → A minor → D minor → D major. The first movement begins with a powerful Beethoven-esque theme with striking similarity to the third movement of Vivaldi's Violin Concerto No. 6 consisting of a six-note melody, played by the viola and violin sections, punctuated by strong and syncopated ...