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Andante in C major for Flute and Orchestra, K. 315 (1778) Carl Maria von Weber: Romanza siciliana for flute and orchestra in G minor, J. 47 (1805) [3] Camille Saint-Saëns: Romance for flute and orchestra in D-flat major, Op. 37 (1871) Odelette for flute and orchestra in D major, Op. 162 (1920) [4]
On the Boehm system flute, the first altissimo note, D 6, is played using the third harmonic of G 4.Fourth harmonics are used for D ♯ 6 through G ♯ 6, and notes from A 6 through C 7 are played with fifth or sixth harmonics.
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The double contrabass flute (sometimes also called octobass flute) is pitched in the key of C, three octaves below the concert flute (two octaves below the bass flute, and one octave below the contrabass flute). Its lowest note is C 1, one octave below the cello's lowest C. Despite the tendency of the larger sizes of flute to be quiet, the ...
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
The Sixth set resembles (in mood) Beethoven's Sixth Symphony ("Pastoral"). [1] In the seventh set, Beethoven uses a popular Ukrainian tune Ikhav Kozak za Dunaj known in Germany as "Schöne Minka." [1] The eighth set uses the five variations on "O Mary, at thy Window be". They are solidly conceived and quite inventive. [1]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
October is a contemporary piece for concert band approximately six minutes in duration that was written by Eric Whitacre in 2000.. It has since had other arrangements written for Full Orchestra, String Orchestra with Percussion, [1] Brass Ensemble, Brass Band and Mallet Quartet.