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Though "Beautiful Ohio" was originally written as a waltz, one version of the song is a march, arranged by Richard Heine. It is commonly performed by the Ohio State University Marching Band when traveling, including their appearance in the 2005 Inaugural Parade of President George W. Bush [6] and at the 2009 Inauguration of President Barack Obama.
The predominant ballroom form in the 20th century has become the slow waltz, which rose to popularity around 1910 and was derived from the valse Boston of the 1870s. Examples derived from popular songs include " Ramona " (1927), " Parlami d'amore Mariù " (1932), and "The Last Waltz" (1970).
The Valse Musette, a form of waltz popular in France, started in the late 19th century. [citation needed] The cross-step waltz (French Valse Boston) developed in France in the early 20th century and is popular in social waltz groups today. [citation needed] In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 ...
Later, Elvis crooned “The Tennessee Waltz”; Sinatra, “The Christmas Waltz.” Martin Scorsese’s 1976 documentary of the Band’s last concert, “The Last Waltz,” was hardly the last waltz.
Joyce's first published piece, a two-step called The Moke's Parade (1905), did not become popular. [1] His first waltz, Chanson de mon Cœur, was published in 1907. [14] But the first to attract any attention was the waltz Sweet Memories in 1908. [6]
The three songs — along with ABBA’s ... the B-side "Tennessee Waltz" became an early country crossover hit and sold more than 10 million copies, ranking at the time behind only Bing Crosby's ...
His popular recordings of classical music, Broadway musicals, and movie scores topped worldwide crossover charts more than any other conductor or orchestra in the world. Some of Kunzel's mentees at the Cincinnati Pops would later become notable in their own right, including Keith Lockhart of the Boston Pops and Steven Reineke of The New York Pops .
The song, described as a "bluegrass waltz", had become a United States wide hit by 1947 [3] and also became enormously popular with other bluegrass, country, and early rockabilly acts. The song was revered at the Grand Ole Opry; [3] Carl Perkins played an uptempo version of this song in his early live performances.