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Décollage is an art style that is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by ripping and tearing away or otherwise removing pieces of an original image. [1] The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become ...
In visual art, mixed media describes artwork in which more than one medium or material has been employed. [1] [2] Assemblages, collages, and sculpture are three common examples of art using different media. Materials used to create mixed media art include, but are not limited to, paint, cloth, paper, wood and found objects. [citation needed]
The Ultra-Lettrist movement was an art form developed by Dufrene along with Jean-Louis Brau and Gil J Wolman in the 1950s, when they split from Isidore Isou's Lettrism. Dufrene explored vocal possibilities of concrete music , a form of expression based on spontaneity directly recorded to tape, exploiting the noise music of sound, meaning and ...
Organic décollage is a phrase used by the photographer Maria Stengard-Green [1] to describe the naturally occurring or non-artistically organized décollage that echoes the work of Mimmo Rotella, Raymond Hains, Jacques Villeglé, Yves Klein and Robert Rauschenberg, and whose antecedents probably influenced their pioneering work.
[2] [3] He had joined Newgrounds in 2003, and submitted his first game there in 2006. [4] The games were developed using Adobe Flash. [5] [6] In 2011, he saw that Flash animations were in decline, around the time of the "iPhone era". [3] [6] He looked at his old YouTube channel and noticed that his art tutorial videos had received the most ...
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
New media art does not appear as a set of homogeneous practices, but as a complex field converging around three main elements: 1) the art system, 2) scientific and industrial research, and 3) political-cultural media activism. [15]
Rotella wanted to somehow find some form of artistic innovation and at the same time give artistic dignity to a common object, and of little value removed from its natural environment. The first trials of Rotella with decollage date back to 1953. The first decollage, in most small cases, were exhibited for the first time in the spring of 1955.