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The base unit of Japanese area is the tsubo, equivalent to a square ken or 36 square shaku. It is twice the size of the jō, the area of the Nagoya tatami mat. Both units are used informally in discussing real estate floorspace. [20] Due to historical connections, the tsubo is still used as the official base unit of area in Taiwan. [citation ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Ensō (円相) is a Japanese word meaning "circle". It symbolizes the Absolute, enlightenment, strength, elegance, the Universe, and the void; it also may be taken to symbolize the Japanese aesthetic itself. Zen Buddhist calligraphists may "believe that the character of the artist is fully exposed in how she or he draws an ensō.
Shibui still maintains this literal meaning, and remains the antonym of amai (甘い), meaning "sweet". However, by the beginnings of the Edo period (1615–1868), the term gradually had begun to refer to a pleasing aesthetic. The people of Edo expressed their tastes in using this term to refer to anything from song to fashion to craftsmanship ...
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
Chūban (中判); a print size about 7 by 10 inches (18 cm × 25 cm) Chūtanzaku (中短冊判); a print size about 14 by 5 inches (36 cm × 13 cm) Edo period (江戸時代, Edo jidai); dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate; E-hon (絵本); "picture book"
Shoji paper cannot be used in places where it will get wet, like a bathroom; even laminated paper will be affected, as water bleeds in from the edges. [ 59 ] Traditionally, abura-shōji ( 油障子 : "oil-shoji"), also called ama-shōji ( 雨障子 : "rain-shoji"), used paper (generally nishi-no-uchigami , 西の内紙 ) that was glued on with ...
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.